Sports photography built for the split second — the release, the contact, the roar. Based courtside, booked league-wide.
Started as a stringer shooting high-school ball on a borrowed 300mm. Eighteen seasons later, still working the same baseline — closer to the play than the broadcast camera, further from the noise than the front row.
Every frame is shot live, unstaged. No re-creates, no posed follow-throughs. If it's in the gallery, it happened exactly like that, once, in front of the lens.
Single games, full-season contracts, or a two-hour portrait session for the roster. Turnaround on game-night galleries: 24 hours.